Finding a site
Assessing a building for suitability for conversion to any type of arts or gathering use
Assistance with preparing a brief
Establishing a budget for building conversion
Master planning a site through phased development
By maria.c
Finding a site
Assessing a building for suitability for conversion to any type of arts or gathering use
Assistance with preparing a brief
Establishing a budget for building conversion
Master planning a site through phased development
By maria.c
Identifying the range of performances/uses to be undertaken
Business plan and staffing levels to inform choices
Preparing a Schedule of Accommodation
Preparing a Technical Masterplan of Equipment
Mediating between client aspiration and budget
By maria.c
Identifying the relationship between the future users and the space
Understanding from the architect the aesthetic expression of the space
Defining the performance area in all dimensions
Arranging the audience to give maximum involvement in the performance
Relating the audience to each other as well as to the performers
Perceiving and developing the dynamic interaction possibilities of the space
Collaborating with the architect to set out the rakes, balcony heights and geometry
Advising on the inclusivity of audience experience
By maria.c
Informing the layout of the backstage areas to make operational efficiency and access for deliveries, scenery, performers and technicians
Supporting the future users’ creative production process with spaces planning
Informing the layout of front of house areas, box office, cloakroom, toilets with easy wayfinding
Extending the arts identity of the building to the edges of the site
Working iteratively with the architect to a successful scheme
By maria.c
Identifying the equipment loading on the roof
Identifying the electrical power requirements of the technical infrastructure
Designing mechanical features that will enable more than one use of the space
Designing platforming, orchestra pit lifts, choir seating
Designing moving architecture, enabling adjustments to the performance area or stage opening
Designing stage rigging, elevations and other stage machinery and staging systems
Relating the engineering proposals to budgets
Match design of variable acoustics systems
By maria.c
Designing lighting positions
Developing system schematics and control systems
Advising electrical engineers over routes, containment and power requirements
Advising capabilities and zones for working light system
Specifying infrastructure, control systems and lighting fixtures within budget
Evaluating tenders to achieve best value for client
Reviewing contractor submittals and monitoring progress during construction
Witness testing
Feeding back to contractors and manufacturers lessons learned to improve industry performance in future
By maria.c
Liaise with architect on the philosophy, opportunities and practicalities of lighting groups of people in space
Incorporate design with control of performance lighting
House lighting design, fixture selection and controls
By maria.c
PSAV includes sound reinforcement, sound effects, recording, communications, assisted listening, video systems, projection, electro-acoustic enhancement
Design and integration of audio, video, loudspeakers, projection screen, stage lighting, rigging
Locating positions of loudspeakers front of house and within stage
Projection and screen design
Identifying connectivity
Facilities panels and liaising with electrical engineers
Specifying infrastructure, control systems and loose equipment
Evaluating tenders to achieve best value for client
Reviewing contractor submittals and monitoring progress during construction
Witness testing